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Interviews/Reviews An interview from Brazil's Cristo-Rock magizine's Ricardo Borges wmetal@wmetal.com: RB: How did Saint begin? Why did you decide to form a band, and how? JK: We started out originally as The Gentiles in the late 70s. with John Mahan, Richard Lynch Gene McClendon and a vocalist whose name I do not remember. We love to Rock and loved Jesus so we melted the two interests together and gave it our best effort to do both. RB: Some famous bands from 80s and 90s that had stopped are returning. Some examples are you, Leviticus and Stryper. Can you explain this phenomenon? And about you, what is the reason for you're returning playing classic metal? JK: The phenomenon of all these bands reforming in my opinion is because we all love our music and we were all born to do this. It is a passion for us all. We can't see ourselves doing anything else. The music of the 80s is retuning to some degree and we are aware of the interest. RB: What was the composing and the recording/producing process like for "In The Battle"? JK: Rich Lynch wrote almost of the songs over a period of years. I wrote the music to Full Armor in the 80s and the lyrics, which were done recently. We preproduced all the songs on our PCs using cakewalk audio 9 program and Cool Edit pro engineering software. RB: Who is doing the distribution and how is the public responding to this new album? JK: We are distributing it currently as an Indy Label and our fans are loving it immensely. RB: For the lyrics and attitude, we see that Saint is an absolute Christian band. Are the lyrics as important as the music? JK: The lyrics are everything we stand for and believe in. I've heard it said that there is no such thing as Christian music, only Christian lyrics. The music has to have it's appeal to the listener what ever stile it is and has to be as well recorded as written and performed. RB: Jesus was clear about telling us to store up treasures in Heaven. Do you see capitalism and communism as a conflict of interest to the Sermon on the Mount? JK: Capitalism and communism are a conflict of interest to each other. I'm not very knowledgeable concerning communism but from what I've heard it has good intentions to make all people equals financially in a utopian society originally dreamed up by Karl Marx (I think). It has it's failings because human nature is basically greedy and a limited few can be content with basic needs met. There is a desire in us all to be the one to raise the bar. (A term used in Track competition for the high jump event.) It has been known to try to silence the Gospel of Christ and prevent people from worshiping the religion of their choice. Capitalism is simply an equal opportunity monetary system that allows people to obtain wealth even if their roots are born in poverty with creative hard work and a desire to succeed. Capitalism has no interest in The Gospel as far as squelching or promoting it. The love of money is the root of all evil. Money in and of it's self is just a tool which in the hands of someone wise and good uses it to benefit themselves and those who work for them in addition to sharing it benevolently to help those in need within their church and community. In the hands of someone evil it is used to benefit themselves and in some cases used to destroy lives. The storing up treasures in Heaven is a concept that implies that when we do good works for those in need without compensation or expecting to be paid, we are storing up for ourselves eternal riches not in monetary terms as gold and silver but as joy and blessings eternal which has no monetary value as we know it. Ian of Christian Metal Mayhem interviews Josh Ian Keith Hafner: So Josh, what gives with the rumor that you were in a country band? Josh: It's true I played in a country / Rock band in the mid 1990's while
living in Nashville Tn.. I was no fun after the shows. While the other guys went out to find loose women, I went back to the hotel. I'd call E.J. and we'd miss each other on the phone. I would then eat, shower, then sleep. We played Travis Tritt, Joe Diffy, Hank jr., Pearl River, Little Texas Garth, Alan Jackson, Brooks and Dunn, Diamond Rio, Vince Gill and all the fun Rockin Country stuff. I actually had a lot of fun working with this band (withholding name) and playing music. I didn't care what kind. I grew up with Hank Willams Sr., Patsy Cline and stuff that mom and dad liked to play on the record player. ( To those of you out there who are too young to have ever seen one, it's one of those old fashioned thingy's that D.J.'s scratch records on with rappers...you know,with the big round black vinyl flat thing called an L.P. A.K.A. phonograph record?) I've teased about my waking dream doing choreography in a Reba McEntire performance wearing black spandex and then Wynonna Judd appears on stage and then I woke up. Granted those guys in Reba's shows make more money in one night than I made in a week, but it still was kinda funny at the time. I don't hate country music. In fact some Country music is amazing. Diamond Rio, Vince, Garth, Travis Tritt, Marty Stewart, Alison Krause (she is so cute, kind and adorable in person! We met her shopping at Wild Oats Natural Food store there in Nashville. No we didn't ask her for her autograph...that would be very goshe), George Jones and Hank W. Sr. are still my favorite country acts. It was just bizzare for me to be on a stage in small night clubs making $350.00 a week, playing country music when I used to appear for crowds of a thousand or more with Saint around the country. At times less in the crowd, but we rocked the house. The comparison between venues is really a stark contrast and was almost an out of body experience for me. I would much prefer to be back on stage with Saint. It is what I was born to do and I feel right at home doing it. My used to be wife E.J. and I worked very hard to launch her first in pop then in country music and finally in Christian pop because it is what she loved and I supported her 1000%. We gave it a good try at the brass ring In Nashville. Ian K. Hafner: How did the Nicolas play come about? What was the inspiration for the story? Josh: Around 3 years ago I began to hate Christmas and became very scrooge like. Congested Christmas traffic, huge expectations for money and gifts to be sent out and all of the commercialism hype made me resentful of the season. I wondered if the Saint Nick thing was just a myth or if he actually existed. I had a wild dream as described in "Howie's note" and performed in the play as one of the scenes. My job at the time of the creation of Nicolas was a combination of Gardening all by my self and on occasion I worked with construction crews. I enjoyed working alone because I could dream up songs, scenes and created almost every scene in my head. I'd then jot down my ideas at break time. Working with construction crews was not as enjoyable because the guys punctuate every other word with expletives and have to derail your moment with every foul joke they could think of. I wore ear plugs all the time not to just block out the noise from the job but so that I didn't have to listen to all of the gobltygook going on around me. It was a refreshing change of pace to finish the day job, clean up, throw down a quick Taco Bell Burrito or MacChicken sandwich then head over to my music and acting students homes for their lessons, which eventually became recording sessions for the play. These young and older folks were instrumental in the inspiration of the play with their enthusiastic input as well as their remarkable acting abilities. Often times parents saw how much fun the kids were having so they joined in and contributed as well. I am inspired by Shakespere and great gothic movies that stir the imagination. (For more detail, go to my interview with Steve Healton). Ian: How much of the story is true and how much is fiction? Josh: I created a small imaginary community of people who did not exist in our history books. Nick's friends, Grand parents, personal trainers, tutors, butlers, maids, towns folk, some political figures, and some events of his life growing up that I had to use my imagination to take creative licence and make supposed possible life adventures for him. If I were to have written the story (not by my self) based on the few paragraphs of legends and folk tails handed down to us with virtually no written actual journals of his own or family records, the story would have been a boring historic encyclapedic account no more interesting than reading about the digestive process of parimeciums in a test tube. How much of it is true?.........That's a very good question. Some times I wonder myself. SAINT ROCKIN' GERMAN METAL FANS Again with an out of hand but great chorus. "Sacrifice" is the best song of the entire album, in my opinion. seven ties-PRIEST-feeling meets elevated vocal lines. Great! "Holy Rollin'" is again stomping and with a hymnal singing.
Also the next three songs aren't that different - but that's a plus for
the band. Originality isn't really a strength of SAINT. But when I buy a
MARDUK album for example, I don't expect any ballads or innovations... the
absolute killer track (apart from "Sacrifice") is presented in
the end by the US Metallers: "Full Armor", which is introduced
by the acoustic intro "Acid Rain". An utter headbanger track,
reminding me a bit of CAGE. Cool sirens singing and Metal in pureness!!! From: "sangre suficiente zine" <sangresuficientezine@hotmail.com> El Zelote: Can you tell me about the beginnings of the band?
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